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Most podcasts that sound like people winging it are actually scripted. That’s my guy.ĪP: What advice would you have for someone who’s trying to level up their podcasting? I want to know about the person who has a bunch of obsessive followers because of the way he paints on a toothpick. They sometimes might be famous, but a lot of interesting people are either not famous or they’re microfamous, which is awesome. Instead, I’m interested in talking to experts and people who do really interesting work and have provocative things to say. They’re never going to tell you the truth about anything, or tell you anything interesting. They can really help me elevate a conversation, because the truth is, talking to celebrities is incredibly boring. I definitely appreciate and love the preparation of background materials in a timely manner. You can do that, but when you look at the top podcasts, they’re all extraordinarily well produced. Roxane: I think a lot of people think that you can just sort of whip out your voice memo app, record something, and have a podcast. They’re the primary consumers of everything, so that’s good enough for me.ĪP: How has your skill set grown over your three years as a podcaster? But I certainly hope that people beyond my readership will connect with the podcast, especially now that it’s going to be out on the open market. Roxane: I think my readership was a good place to start. Now I’m going to have my more-seasoned album where I kind of have a sense of what I’m doing, so I’m able to focus less on the mechanics and more on the material.ĪP: How did you identify your target audience? We had our debut album, which was not so good, then our sophomore album, which was better. Is this upcoming season your Velvet Rope? Your Crazy, Sexy, Cool? Your Anti? We did two years on Luminary before Tressie got picked up as a columnist at The New York Times, so she’s stepping away from the podcast and it’s moving forward with just me as a host.ĪP: One creator we talked to, Donald Albright of Tenderfoot TV, likened podcasters to musicians and their podcasts as albums.
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We went with them even though we had some hesitations about how we would find a listenership within it, particularly as Black feminists. We wrote up a one-pager that we took to a couple of companies. People kept asking me when I was going to do a podcast, and I was just like, “When I have 10 more hours in a day.” But then I thought, “Well maybe if I do a podcast with a partner, we can share some of the responsibility and the workload.” The first and only person I approached was my friend Tressie McMillan Cottom, and we created Hear to Slay. Roxane: I developed a pilot for a podcast some time ago for one company, but it just didn’t work out. Can you share what your initial road to podcasting was like? We all love an activist who holds no punches.Apple Podcasts spoke with Roxane about valuing your creative work, the importance of a preparation-focused production team, and why she’d rather talk to microfamous toothpick artists than huge celebrities.Īpple Podcasts: Hi Roxane, thanks for taking the time to talk. He encourages his fans to be bold and expressive – and they take this message very seriously! Even to the point of getting themselves in trouble with the authorities by waving rainbow flags at his concert, notably in Cairo, Egypt – where the promotion of homosexuality is not only illegal but aggressively enforced! Countries like Jordan have gone so far as to ban Sinno from performing there, simply because he is openly gay! But he still is unafraid to express himself and be himself. Hamed's music has stirred controversy among conservative crowds due to the explicit nature of his lyrics. We think Hamed is a shining beacon for the LGBTQ community of Lebanon in particular, a country that still has anti-gay laws. He also represents what it means to be queer and from the Middle East, a region notorious for having some of the worst LGBTQ rights in the world. His 80s style mustache and penchant for wearing muscle shirts have made him popular among gay fans.
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Hamed Sinno is a Lebanese singer who fronts the alternative-rock band Mashrou’ Leila.